Although the crowd was large, we sat silently in anticipation of a classical performance. The theatre was dim, the audience seemed glad to be sheltered from the frigid cold. However, before the dancers emerged onstage, we were greeted by the pleasant sound of a full mariachi band, which was an unexpected and exciting twist to the show.
The Ballet Folclório Nacional de Mexico, also known as the BFNM, is an institution which aims to preserve and disperse Mexican culture among international audiences. Silvia Lozano, founder and choreographer of the BFNM designs each performance to fit its unique venue. The ballet itself is a travelling production which represents traditional Mexican culture including music, dance, costumes, and folklore.
The performance itself deviated from what I would have traditionally considered ballet. The show was comprised of multiple dance sequences which represented the history and culture of various regions of Mexico as well as the folklore associated with those places. At various points the mariachi band played on their own, performing a plethora of songs representing rich cultural traditions.
Current DU senior Conor McGrane said, “I wouldn’t call myself a ballet fan, but I genuinely enjoyed the [BFNM] show. I loved the addition of the mariachi band on stage and the combination of dance, storytelling, and live music.”
McGrane appreciated how the performance was extremely high energy and the audience seemed to be immersed in the show. This was not what he expected upon entering the theatre.
One of my favorite regional dances performed by the group was their Yucatán dance. The performance was an interpretation of a ‘Vaquería’ which is what fiestas in that region are called. The dance is fast paced, animated, and includes many different types of live songs.
Jacob Henschel, who attended the show said, “the dancers must’ve changed outfits at least a dozen times. I liked how they used the costumes to represent the different places in Mexico, I think it helped convey the similarities and contrasts between regions”
I also thoroughly enjoyed the solo musical performances scattered throughout the show. The production began with a mariachi band on stage, but they were eventually joined by a harp player and a few female vocalists. The musicians frequently switched instruments with each other showing their diverse musical talent.
DU student McGrane said, “I couldn’t have anticipated a more entertaining performance tonight. I think the whole audience was surprised and excited by it. I would definitely be interested in seeing The Ballet Folclório Nacional de Mexico again if I get the chance.”
Overall, Silvia Lozano represented ten different regions in Mexico through various styles of music and dance. In addition, each costume change seamlessly signified a transition between regions. The audience was captivated by the high energy performance and felt involved in the cultural celebration of Mexico. Next time I am invited to a ballet, I won’t think twice about going.
The MFJS Reporter -- Winter 2020 T-R 
Such a detailed and interesting account of something that goes on campus very many people probably don’t pay too much attention to. Many of the Newman Center’s productions are overlooked by the student body, but perhaps they won’t be if more people knew about them. This show in particular sounded so fun. The vibrant culture and music is always something both heartwarming and entertaining! I’ll have to go to the Newman center myself at some point now that I know more about what goes on in there!
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